It’s what NASA uses.
Avengers : Age of Ultron (2015)
All of Marvel’s movies are treated as big event movies, but Age of Ultron is a special case. Perhaps it’s the wrong way of thinking, but people automatically want to know if Age of Ultron is better than the first Avengers. My answer is an annoying “kind of”.
Born out of Stark A.I. meddling, the Avengers have to face a new threat to global safety, a rogue program calling itself “Ultron” (voiced by James Spader) that has concluded that humanity’s extinction is the only logical outcome. He recruits two superhuman experiments in the form of the Maximoff twins, Pietro and Wanda (Aaron Taylor-Johnson and Elizabeth Olsen), better known as Quicksilver and Scarlet Witch, to aid him in stopping Earth’s Mightiest Heroes. As is often the case with sequels, Age of Ultron is darker than the first. It explores the personal fears of each Avenger and leaves them broken and scarred. That’s not to say it tips the balance into all-out ludicrous grimmery. At its core, the film is still a fun, comic-book adventure with plenty of gags and moments of levity.
Age of Ultron certainly starts better than the original Avengers did. We open in medias res, with the team waging an assault on a Hydra castle deathbase to retrieve Loki’s series-important mind-control sceptre. It was so comic-booky and fun, it immediately brought a smile to my face. Loathe as I am to use the word, the banter between the team was like putting on a comfy pair of slippers. I genuinely love these characters and it’s great to hear them bounce off each other. As someone who has sunk many hours of the Marvel: Ultimate Alliance games, the little team-up attacks will always delight me on a level I can’t quite explain. In comparison, Avengers 1 took a while to get up to speed. The first 20 minutes or so feel weirdly low-rent and out of place when held up against the rest of the film. Lessons have been learned with Age of Ultron and it shows.
After being shoved to the sidelines in the first film, Age of Ultron finally spares some focus for Jeremy Renner’s Hawkeye. Joss Whedon delves into the character’s personal life and he becomes the heart of the film. What I love about this is that he’s used as the necessary humanity in a team full of overpowered supermen. You can have your big personalities doing loud and awesome things, but you still need something to ground it. There’s a surprising budding relationship between Scarlett Johansson’s Black Widow and Mark Ruffalo’s Bruce Banner. It’s a strange pairing but it makes total sense. I found it all to be rather sweet. There’s one scene at the Avengers HQ bar where Romanoff flirts shamelessly with the awkward Banner that completely sold their relationship to me. It’s like a film noir exchange and the Whedonness of the writing came through strongly. He loves damaged characters and putting unlikely couples together and having you root for them is kinda his thing. I have to say, I’m liking Tony Stark less. It’s completely intentional too. Stark sees the Avengers as a stopgap solution to Earth’s problems and is working on an endgame. He’s trying to cut the barbed wire again. His shortsightedness leads to Ultron. Although it isn’t directly his fault, he definitely has to shoulder some of the blame. His talk with Cap whilst chopping wood definitely shows the fissures appearing in their ideologies that will lead to Civil War. I can’t wait.
Ultron is a fascinating villain. He has Stark’s wit hardcoded into his programming and so he ends up with just as many one-liners and witticisms as our heroes. His monologues are perfect for James Spader’s amazing voice and as a result Ultron is utterly compelling. The film has a running theme of evolution and Ultron embodies that. There’s one scene where Ultron destroys his body mid-speech with a newer, more powerful form without pause that is just a fantastic moment. This is an odd sentence, but despite Ultron’s desire to wipe out humanity, he didn’t seem that evil to me. Part of it is his cold, robot logic. He’s not evil because he enjoys it, but because it makes sense to him. Part of it is the fact that he’s so damn entertaining. It all adds up to him being insanely misguided rather than straight-up evil. I can appreciate that it’s a more interesting take on villainy, but it didn’t have the immediate, visceral appeal of someone who is an out-and-out bastard. However, I expect this to become less of a problem on repeat viewings.
Whedon is a master of the ensemble piece. He manages to accommodate a whole bunch of new faces whilst keeping things balanced with more familiar ones. Nearly all the characters are well served by the script and they all get moments to shine. Reviews have already levelled their few criticisms of the film at there being too many characters, but I think it’s a lazy criticism. It’s like the similar “too many villains” problem that is often brought up. For me it doesn’t get to the root of the issue. Game of Thrones manages to balance a crazy amount of characters and plotlines each week. The execution is the problem, not the idea. Age of Ultron does incredibly well with sharing focus. The only real casualty (and there’s bound to be one in a film like this) is that the film has to set up more universe building things with teases for Black Panther and future Avengers films. Thor gets a largely pointless subplot to find out about the Infinity Gems and to me it took away from the main narrative. It fucks with the pacing sightly and makes the film baggier. Having said that, I liked Andy Serkis turning up as Ulysses Klaw, an arms dealer with a deep fear of cuttlefish.
I’m going to spend a paragraph talking about The Vision because I can. The stakes feel higher when Paul Bettany steps up. He’s such a great character. He’s the opposite side of the coin to Ultron. He’s got the robot logic, but he also sees the value of humanity. Bettany plays him as a gentle, ethereal being and it completely works. As I watched the caped Vision float in mid-air, delivering beautiful monologues, I came to a bit of a realisation. Vision is a better Superman than the current version of Superman. That’s not a tough feat, but Vision embodies everything I like about a God-like figure trying to teach humanity rather than destroy it. His final dialogue with Ultron is also incredibly well-written and it shows you can have your huge, destructive setpieces as well as have time for simple conversation about differing ideologies.
Those destructive setpieces I mentioned? Age of Ultron has bucketloads of them too. My favourite was the scrap between an enraged Hulk and Iron Man in his purpose-built Hulkbuster suit. The finale is the single most comic-booky thing I’ve seen on screen to date and I loved it.
Age of Ultron falls just shy of The Avengers’ greatness for me. It’s a better made and certainly a better realised film than the first, but I didn’t experience as many air-punchingly great moments as I did with the original. However, that’s not to say the film fails because it doesn’t. It’s another excellent Marvel film. The cast are great, the film is visually spectacular and it’s very well-written. It’s funny, but when I’ve discussed Age of Ultron with people, it’s the little character beats that I talk about rather than the impressive action sequences. More films should be made like that. Character resonates for so much longer than explosions do. I’ll give it four stars, but will qualify it’s a very high four. As I feel that half the country has already seen it, it seems moot, but the film gets a huge recommendation from me.
The Popcorn Bucket 