Scenes of the Year 2013

When it comes to looking back at the cinematic year, most reviewers tend to do a “Best of” and a “Worst of” list, chronicling which films massaged their temples and which spat in their face. As you should know by now, I’m a kind of sexy maverick who doesn’t play by the rules. I decided to a “Scenes of the Year” list as it allows me to include a healthy mixture of some stellar and not-so-stellar titles. The only drawback is that in doing this, I exclude the more talky, cerebral films that I enjoyed and were released this year, because they don’t really lend themselves to scene by scene evaluation. These are just my favourites- the ones I couldn’t wait to talk about as soon as the film ended. This isn’t an objective list of the best scenes of the year, to attempt such a thing would be very difficult and tedious for me to write. So- in no particular order- here are my personal Top 10 Scenes of 2013.

1) Django Unchained – “Who’s your little friend?”

One criticism of Tarantino is that his films are made up of stand alone scenes that are stitched together by a vague thread. I can appreciate this point, even if I don’t entirely agree with it. However, his attitude toward filmmaking certainly meant it was quite easy to think of sequences from Django fit for this list and there were many contenders. However, the one scene that really stuck with me way after the credits rolled was Calvin Candie (Leonardo DiCaprio) and his skull pal. To me, this typifies Tarantino. It’s a well-written, fucking barmy monologue where Candie explains the apparent inherent subservience of black people using the thoroughly discredited psuedo-science of phrenology. I’ve always found the fact that people believed that nodules in the skull spoke of deep personality traits completely fascinating, so I had a personal budding interest all ready to go. The thing I love about it though is that it really cements your hatred for Candie, with part of you wanting someone to forcibly shut his bigoted mouth and another part wanting him to carry on so you can hear the next demented thing that spills from his lips.  DiCaprio is on fire too, showing he can be properly menacing. The whole scene culminates with an unscripted masterstroke where Leo cuts his hand open on a glass and proceeds with the scene without missing a beat, adding a surreal element to the whole thing. I didn’t think I could respect him more than I already did, but damn, son. That’s commitment.

2) Pacific Rim – The Tokyo Showdown

In a year of disappointing summer tentpoles (Man of Steel, step forward and then fuck off), Pacific Rim was exactly what I wanted it to be and more. It’s probably my most rewatched film of this year. The one scene I freakin’ love though is the extended Tokyo sequence where Gipsy Danger takes on two Kaiju in a city-destroying series of scraps. Put simply, it’s like a good version of Transformers where hulking beasts beat seven shades out of each other and you can actually tell what’s going on and who’s hitting who. My favourite part is the fight with the second Kaiju in the rainy, neon-lit streets where Gipsy Danger brandishes an oil tanker as a club. It’s exactly as preposterous and enjoyable as you’d expect. There’s even a neat gag where the Jaeger’s fist smashes through an office block, destroying everything in its path, only to slow down at the apex of its reach and lightly tap a Newton’s cradle desk toy, setting the metal balls in motion. It’s a fun little bit in a titanic punch-up and proof that blockbusting entertainment is at its best when it doesn’t take itself so seriously.

3) Iron Man Three – “Barrel of Monkeys”

Whilst know-nothing twats didn’t like Iron Man 3 and publicly slated it because it wasn’t exactly the same as the first two films, I loved it. God Bless Shane Black.  I knew Iron Man 3 would feature on this list in some form, but it was a toss-up between this scene and the finale with tons of Iron Men. When it came down to it, despite the final battle avoiding the boring suit vs suit thumpfest ending that let the first two films down, it didn’t have me on the edge of my seat like the skydiving spectacle that was the “Barrel of Monkeys” sequence. It’s such an ingenious idea. It’s  completely built around Iron Man’s limitations. Basic set up is that a bunch of people are blown out of the back of an exploded Air Force One and Stark sets off in hot pursuit,  quickly analysing the falling bodies before swooping into action. The exchange below sets things up perfectly :

“How many are in the air?”

“Thirteen, sir”

“How many can I carry?”

“Four, sir”

Boom. You’ve got your stakes in a few seconds flat. Slick and efficient. If this was a Superman film or featured any other hero that could fly, they could do this whilst cartwheeling through the air. Stark has to use his brain to distribute the weight of the falling people evenly whilst they’re all hurtling to the ground. It’s genuinely thrilling and definitely one of the best action scenes of the year.

4) Frozen – “Let it Go”

Hey, I’m as surprised as you are. I thought Frozen was brilliant and the soundtrack was a real high point.”Let it Go” stands tall above the other songs for a number of reasons.  Firstly, this is a proper belter with a real “I Am What I Am” vibe. The song starts off quiet and rather self pitying, but soon evolves into an empowering barnstormer where Elsa (Idina Menzel) finally unleashes her true power after years of isolation and repression. Secondly, Menzel’s big voice sells the shit out of Elsa’s revelation and coupled with the beautiful animation it makes it a truly memorable moment and an instant Disney classic. As I said in my original review, I actually got goosebumps during this scene. I’ve watched the scene an embarrassing number of times on YouTube since and have pre-ordered the shit out of the Blu-ray. When Disney’s bad, it’s frustrating but easy to dismiss, but when it’s this good, there’s nothing else like it.

5) Behind the Candelabra – Dr. Jack Startz

Behind the Candelabra is definitely one of my favourite films of the year. Steven Soderbergh continues his insane streak of great films by not only doing a fantastic job of a Liberace biopic, but making it one of the darkest, funniest films I’ve seen in a long time. During one of the many, many fucked up scenes, Liberace (Michael Douglas) takes new beau Scott Thorson (Matt Damon) to get plastic surgery, intending for Scott to end up looking like Liberace himself as a younger man (!). This is all overseen by walking advert for the dangers of plastic surgery, Dr. Jack Startz (Rob Lowe), a man with his face pulled so tight, you’re afraid it’ll split at any given moment. Lowe sells the character perfectly and is a complete joy to watch. There’s a bit during the consultation where Dr. Startz attempts to drink a glass of water but, due to his paralysed features, can’t swallow it properly and ends up dribbling it out the side of his mouth and sloshing it down his front. This little bit made me laugh so much I had to rewind it a good few minutes to catch up on what I’d missed.

6) The Lone Ranger – The William Tell finale

OK,  I didn’t like the film that much, but I don’t think The Lone Ranger deserves to feature on as many “Worst of the Year” lists as it has. There are plenty of big budget films out there that don’t even attempt what it tried to do. It didn’t wholly succeed, but it’s too weird and off-kilter to earn a complete panning. Plus, it has a cracking train finale scored by Hans Zimmer’s reworking of the classic William Tell Overture. It’s an innovative, hugely enjoyable sequence that features galloping horses in and on top of a speeding locomotive, genuinely funny beats involving Tonto and THAT GODDAMN MUSIC that could make a trip to the shops on a rainy Sunday an epic, pulse-pounding affair. Few scenes from 2013 made me want to stand up and applaud once they were over and this was one of that select few. It was definitely the talking point as soon as the credits rolled. It’s a shame the rest of the film didn’t match the same fun quality that this had, but it has to be said that no other film this year has had a more satisfying finale. There, I said it.

7) World War Z – Israel

Initially predicted as a box-office bomb, World War Z actually managed to do good business and was one of the more interesting blockbusters of the year. Everyone’s sick of zombies, with the whole notion of the walking dead being played out in almost every form of media. It’s not as sharp or satirical as the book, but the film was a very decent attempt at a new take on the old cliché. One of my favourite elements of the film was how the zombies moved en masse like a tower of army ants. The Israel sequence is incredibly exciting, combining political elements (Israel is protected from the outbreak because it merely had to finish the existing segregating wall around itself) with scenes of massive tension as the inhabitants start celebrating their safety a little too loudly, attracting the attention of the horde and causing the mass pile up seen above. World War Z succeeded in giving us a fresh twist on a tired old formula and that’s commendable.

8) Gravity – Space debris

Mild spoiler alert– There are multiple space debris scenes that feature in Gravity, but none of them have the impact of the first volley, which totals our heroes’ ship, sends it spinning out of control with poor Dr. Ryan Stone (Sandra Bullock) attached before finally breaking and flinging her into the vast empty blackness of space. Christ, even just typing that was enough to get my stomach churning again. Yes, I did have a problem with the lackluster dialogue, but no-one can deny that Gravity is pure cinematic spectacle and an absolute thrill ride to boot. Instead of the amazing special effects being the focus, they’re used to service the story, not to be the main attraction, which is all kinds of rare. No other film had me gnawing at my knuckles with tension quite like it did. That initial scene is incredibly disorientating and downright unsettling, tapping into a fear I didn’t even know I had. Most importantly, it was completely unlike anything I’ve seen this year. Can’t say much more than that.

9) Only God Forgives – “Wanna fight?”

In this online age, difference of opinion is a given when it comes to films. No matter how positive the general consensus is on a film, you are guaranteed to find loud, dissenting voices calling it the worst thing since time began. Nothing has split opinion quite like Nicolas Winding Refn’s Only God Forgives, with the film appearing on both “Best of” and “Worst of” lists equally. The sticking point for me is that even if you think the film’s themes and tone are bullshit, you can’t argue that it’s devoid of artistic merit. It’s a beautifully shot film, for one. I blame unreasonably high expectations after the stylish but infinitely more accessible Drive. Only God Forgives is a mood piece filled with all sorts of things that will make you wince and shift uncomfortably in your seat. The film’s visceral torture scene was a frontrunner for this list, but the scene where Julien (Ryan Gosling) squares off against Chang (Vithaya Pansringarm) won out. Basically, what we see in this scene is the very definition of hubris. Julien thinks he can take the supernaturally powered Chang and gets soundly beaten without Chang breaking a sweat. He’s fighting a battle against his demons and getting annihilated. Factor in Cliff Martinez’s hypnotic synth-heavy soundtrack and you’ve got an unforgettable scene. Fuck the haters.

10) Fast and Furious 6 – The tank sequence

I actually respect the Fast & Furious series. In a climate where there are crusty old pieces of toss masquerading as old school action films to make some quick bucks (The Last Stand, The Expendables films, Bullet to the Head etc) F&F is the true spiritual successor to the heyday of dumb action flicks. It’s evolved into an A-Team type series where a gang of crooks are roped in to solve a problem, many bullets are fired and things blown up, but hardly anybody gets hurt. When it came time to watch F&F 6, I thought the tank scene was really well executed. From its “Oh, shit!” reveal onwards, it’s fast, innovative (the steel cable gun is a brilliant invention) and exciting. Whilst it does feature some spectacularly dumb moments, that’s par for the course as far as I’m concerned. It’s a highly enjoyable sequence full of the carnage one would expect when a speeding tank is involved. More of this sort of thing please.

So, that’s my list. It’s an odd one I know, but I had to be honest with myself. Here’s hoping 2014 throws up just as many interesting moments.

Fast & Furious 6

 
Flat out action, stalling script
 

Fast & Furious 6 (2013)

Catching up on a few odds and ends from 2013 before I launch into my first yearly roundup thing. First on the list- Fast & Furious 6 (or Furious 6 according to the movie’s title screen). I wasn’t a fan of the F&F series initially. The first one was fine, but the dire sequels and willful stupidity of it all turned me right off the franchise. I started paying attention to it again when Fast 5 defied all expectations and managed to be damn entertaining. Maybe I’ll review the whole series at some point when I hate myself enough to sit through 2 Fast 2 Furious and Tokyo Drift again.

“You’ve got the best crew in the world standing right in front of you, give them a reason to stay.”

In F&F 6, we catch up with our apparently lovable group of crooks, scattered across the globe and enjoying their big payday from their last heist. Brain O’Conner (Paul Walker) has just become a father, Dominic Toretto (Vin Diesel) is living a quiet, sunkissed life of retirement etc etc. All of that changes when the hench DDS agent Hobbs (Dwayne Johnson) and his new partner Riley Hicks (Gina Carano) recruit Toretto and his crew, with the promise of full pardons for all, to catch an even more dangerous criminal outfit, led by a man named Shaw (Luke Evans). Toretto and his team must stop Shaw from getting his hands on some chip that is worth a lot of money and will do something bad if in the wrong hands (I honestly can’t remember exactly what, despite watching it last night). Just when you thought the plot couldn’t get thicker, it turns out that Toretto’s GF, Letty (Michelle Rodriguez) is not only alive, but is (gasp!) working for the other side. Cue lots of high-octane action and gruff mumbling. Maybe I’m being unfair and slightly too snarky with my plot synopsis, but it really is a case of “Tab A into Slot A” in terms of action moviemaking. This isn’t necessarily a bad thing, as I was hardly expecting subtlety and nuance from a film like this. I bought a ticket for the same reason many others did- for the wicked sick car action. Having said that, the story was shockingly perfunctory. Dwayne Johnson is still the charismatic MVP, but Vin Diesel, Paul Walker and the rest of the gang do well. Gina Carano is a nice addition too. Luke Evans is a passable baddie, although the film could have done better with him.

Let’s get this out of the way- the action is top-notch. No series does car porn better than F&F and 6 continues that streak. The sequences are over-the-top ridiculous fun. From the opening race (which reminded me of a better shot version of Quantum of Solace‘s opening gambit) to a brilliant tank sequence and culminating in a huge runway chase, it’s all high quality dumb entertainment. The cars move with balletic style and precision and it’s genuinely thrilling stuff. Much like Fast 5, there’s some genuine innovation amidst all the roaring engines and close-ups of the drivers looking determined. Even the hand-to-hand combat is decently done, with proper choreography in play and being decently shot to boot. I also dig the fact that it mostly takes place in London, even though the film can’t resist chucking in a snooty Englishman. The point being is that I was enjoying all the stunts an’ shit. It’s just a shame that the connective tissue holding the action beats together is as weak as it is.

I’m a big advocate of dumb fun. A script doesn’t have to be full of highbrow Oscar Wilde-esque lines to get a thumbs up from me. I love Michael Bay’s magnum dopus Bad Boys II, for instance. The lines and gags in that film are just barely above giggling at tits and basic toilet humour but I still laugh. I wanted this film to be complete guilty pleasure, rather than just constantly flirting with being one. I want the whole series to be better, which must show that I actually care enough about them to want improvement.  F&F 6‘s script is a clunky mess. Not only do we have hackneyed-as-shit elements like plot-convenient amnesia being played dead straight, but the film doesn’t know how to handle any kind of joke. It really isn’t that hard to be funny, or at the very least hiring someone who is. There’s a basic theme running through the film that Toretto’s bunch are more like a “family” than a bunch of friends. This is opposition to Shaw and his team (presented as the nega versions of our heroes, in a helpful scene where a character flat out observes it) who take a more clinical approach to the group and chop and change members without any kind of sentiment. The ultimate message being that because our lads and lasses love each other, they will triumph when all is said and done. The film subtly conveys this by repeating the word “family” about 20 goddamn times and having forced scenes of joviality and camaraderie. Look- I know this is for the plebs, but come on. It needs to try harder than that. Repeating the same word over and over again isn’t theming. It’s a Sesame Street skit.

Chris Morgan’s script is by far the film’s biggest failing. Checking out his IMDB page, I was surprised to see he was credited for the rather well-written Wanted. Turns out he had four (yes, fucking four) other writers helping him on that, so maybe that’s the answer. He needs professional help. The dialogue scenes and bits where the plot was apparently going on ended up being a tedious slog until the enjoyable pedal-to-the-metal stuff kicked off again. There’s no reason why it has to be that bad. It has to be said that I also barely gave a shit about any of the characters. Letty’s reappearance was just a thing that happened and everything that occurred after that was just as predictable as you’d expect. Just imagine an F&F film where you actually cared about the characters, which would in turn add some proper tension to the impressive setpieces. It’d be great right? The series has thankfully dropped most of the boring street racing stuff in lieu of big heists and the like. I just need it to go the extra mile and tighten up the writing considerably. If this is all there is, I can probably make peace with that, but the thing that this franchise taught me is that it’s never to late to buck up your ideas. Hopefully by the time F&F 7 rolls around, the script will have been overseen by someone who knows how to actually write and not just drool on the keyboard.

“Somebody do something! I’ve got a tank on my ass!”

I’ve read a lot of nasty reviews of this film, criticising its loose grip of concepts, reality and especially physics. I get the feeling these people are missing the point. I’m completely fine with insane leaps of logic if the film is fun enough and this one is, albeit fitfully. I’m intrigued to see where they go from here for two reasons, one, I’ll be interested to see how they get around the sad, untimely death of Paul Walker and two, the awesome credits sting which promises at least one golden reason why I should slap some money down for the next installment.

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