Singer of praises
X-Men: Days of Future Past (2014)
I’ve been looking forward to this one for a while. I loved First Class and whilst The Wolverine had its charms, it’s been many long years since we’ve had a “proper” X-Men film. I was cautiously optimistic, but the whole “team-up” aspect of it, meshing the old cast with the younger versions of themselves had me worried that the only reason it was being made was a knee-jerk reaction to The Avengers and Marvel Studios’ universe building, with Fox desperate to put out their own branded version of a Marvel universe to grab several slices of the ridiculous money pie that’s rapidly cooling.
“The future: a bleak desolate, place. Mutants and the humans who helped them, united in defeat by an enemy we could not stop. Is this the fate we have set for ourselves? Could we have done nothing to stop it?”
The Future. Giant, nigh-on unstoppable robots called Sentinels, specifically designed to eradicate mutants, roam the Earth and have brought on an apocalypse, full of ash, rubble and rapidly declining pockets of survivors. Tracing the devastation back to a single moment in the 1970’s involving the assassination of Sentinel inventor, Bolivar Trask (Peter Dinklage) by blue shape-shifter Mystique (Jennifer Lawrence), the current remnants of the X-Men, including Kitty Pryde (Ellen Page) engineer a way to send a mutant’s consciousness back in time and the ageless Wolverine (Hugh Jackman) is the perfect candidate. Logan’s troubles don’t just extend to preventing a murder, however, as whilst their present selves (Patrick Stewart and Ian McKellen) have put aside their differences, ’70s Prof. X and Magento (James McAvoy and Michael Fassbender) are at loggerheads, meaning Logan will have to convince them to sing from the same hymn book as well.
So, the cast. They’re all brilliant. It’s a genuine thrill to see old and new faces thrown into the mix together.Both versions of Prof. X and Magneto are a joy to watch. DoFP can have its cake and eat it, cutting from the future versions talking to each other with mutual respect and Shakespearian gravitas to the young, angry versions, played fantastically by McAvoy and Fassbender. McAvoy gets a special shoutout as he gives a great performance as a jaded junkie Xavier, complete with a thousand yard stare and addiction to painkillers. Hugh Jackman is always fun to watch as Wolverine and nailed it fucking yonks ago, but still manages to be just as entertaining as he always was. Jennifer Lawrence also gives a nicely nuanced turn as Mystique. Of the new blood, Peter Dinklage is great as Trask and the new mutants are a blast, especially Evan Peters’ Quicksilver. Fans of the series like myself will be delighted with the various character cameos and references.
I’m so glad this didn’t turn out to be the clusterfuck it could have so easily been. When I sat down and the classic X-Men theme started playing, I smiled. I realised that I’d genuinely missed the franchise and was struck by a sudden need for the film to be awesome. Luckily, it is. It’s a well balanced film with just the right amounts of humour, action, suspense and all that good shit. It’s basically a First Class sequel with the “classic” cast serving as a framing device. It just works. Part of the reason for this is Bryan Singer’s direction. The guy gets characters and narrative arcs. All of his films have shown a great understanding of the basics and an insane amount of talent and skill when it comes to throwing it up on a big screen. Thankfully, he’s on form here and keeps the pace quick, but not at the expense of quieter moments. The script is also solid as hell, with the normally shitty Simon Kinberg doing his best work since ever. The story actually has weight and stakes to it. The finale, cutting between the future and past is one of the most exciting things I’ve seen this year. Funnily enough, the film is fairly light on action, but when it hits, it hits solidly. The best sequence in the film by far is a bit at the Pentagon where the super-fast and funny Quicksilver really comes into his own.
My only real problems with the film are more niggles than anything else. My major qualm is with the decision to basically make the film another Wolverine-centric story. Singer does his best to juggle focus, but at its heart it’s still episode #7353 of The Wolverine Show. All of the X-Men films so far have been Wolverine stories, with the exception of First Class, which still includes a small cameo by the Clawed One. I like the character and Jackman, but one of my favourite things about the X-Men is how diverse they are. There are any number of characters that could carry the main narrative successfully. The original comic is told from Kitty Pryde’s point of view and I could see that working. My other problem is with a minor plot point. I’m not a big “movie logic” guy and inevitably problematic time travel stuff didn’t bother me. So, the Sentinels are basically unstoppable thanks to adaptive technology, being able to use a mutant’s weakness against them. So, for instance, one ends up using fire powers against Iceman (Shawn Ashmore). They’re like the ultimate Pokemon. However, the film tells us they got these powers thanks to Mystique. Thing is, she only shapeshifts. She doesn’t gain any powers by turning into someone. Series regular Rogue has that power- surely she would be more fitting? Fuck- there was even that Darwin guy in First Class who could do exactly that. Why not him? My guess is is that they needed to give Lawrence a meatier part,with her having become a megastar inbetween First Class and this one. Funny, as the same thing happened with Halle Berry between the first and second films of the X trilogy.
“All those years wasted fighting each other, Charles.”
Days of Future Past is one of the most satisfying films I’ve seen in a while. It just does everything it needs to with wit, intelligence and style. It’s a fantastic blockbuster that doesn’t forget to tell a good story in amongst the big action setpieces and CGI- something which I’m still incredulous is a real issue in this day and age. It’s also a bold step into the future of the franchise, with various happenings in the film rendering events and entire previous films uncanonical. If the quality is maintained, I’m unbelievably excited about the both the sequel, Age of Apocalypse, and their wider plans for a franchise spanning universe.. It’s going to be a long two years.